Virtually There

Text: Mitch Joel – President, Mirum & author of Six Pixels of Separation + CTRL ALT Delete.

Los Angeles, CA - USA - August 29, 2015: Guy tries virtual glasses headset during VRLA Expo, virtual reality exposition, event at the Los Angeles Convention Center in Los Angeles.

I recently did a video for our Mirum Talks series called “Virtually There” about virtual reality (VR) and augmented reality (AR) – technologies that have created a huge buzz in the media.

And a big reason why I got involved is because of the following headline, which you’ve surely seen somewhere lately:

“Virtual reality is going to change_______forever.”

It’s a persistent Buzzfeed-type headline, and when I see it, my antennae go up: are VR and AR going to change advertising, marketing, retail, business-to-business, you name it, forever?

I’ve been involved in the AR and VR space for quite some time, and I feel that we’re at a tipping point with these technologies, to quote Malcolm Gladwell. Now is when all of us in the marketing and communications spaces need to spend more time understanding them and what the implications are for brands and our industry.

Some people chuckle at this, but one thing that made me a believer in VR and AR is that the adult entertainment industry and the gaming industry were actually the pioneers that pushed this technology, which demanded that we in marketing paid attention to what it could mean for consumers.

But what makes me a true believer are the TED Talks I’ve attended over the years that allowed me to experience these technologies before anyone else did, and enabled me to witness firsthand how transformative AR and VR could be.

Specifically, it was at a Google Zeitgeist event where I was handed a Google Cardboard VR device, which I plugged into my iPhone, and was suddenly transported to the Amazon rainforest.

Wow.

The video was in HD3D, and it was like we were on an actual field trip to the Amazon. My mind was blown away by the potential the platform offers.

Another transformative event for me came this past year at TED, where they had a simulation based on a previous iteration of the VR experience called the VOID; what I experienced inside, to be completely immersed, was mind-blowing.

Once you have your first VR experience, you will be changed. And the true adoption of this technology will be when everyone gets to try it, because once they do, there’s no going back.

What’s the difference between AR & VR?

For those who may not know, AR allows you to view the entire world as you currently see it, but adds layers of information on top, usually through a device like your smartphone.

VR, like Oculus Rift and Google Cardboard, is completely immersive, and as opposed to AR, you can’t see any other experience than the “virtual” one you’re in.

How will VR & AR affect brands and marketers?

Looking back at the movie Minority Report, I don’t think you’ll have the density of the messages in the film, but I think with VR and AR it’s the ability to have your environments mixed that’s very powerful.

To quote Mark Zuckerberg: “Virtual reality was once the dream of science fiction. But the Internet was also a dream, and so were smartphones and computers. The future is coming and we have a chance to build it together.”

I’m not sure about the “build it together” part, because Facebook owns Oculus, and they’re going to want to own it. But the quote speaks to an emerging sentiment that we all have, and the core of what VR and AR mean for brands and marketers.

What I think is really driving the opportunity for brands and marketers today isn’t necessarily the headsets, like Oculus Rift and HoloLens, but smartphones. Our phones have many of the core things we need to get VR and AR to become as widespread as possible. Besides the processing power of mobile, gyroscope functionality and resolution, the big one is distribution: apps and the ability to download them to your phone, downloading content or streaming it. Distribution of content, apps and all of of the technology built into smartphones are what makes them very powerful.

Hardware for VR and AR is also coming to fruition, like head-mounted displays (HMD) such as Google Glass, which I think from a business-to-business perspective will come back. We’re also seeing it with Oculus Rift and HoloLens.

Why do marketers need to care?

VR and AR present a new era for the work that we do, which is telling stories about brands. And whether we’re building a website or doing a big integrated campaign, it’s all about telling a better story. VR and AR offer an exciting new form of storytelling that when you experience it, everything you had known before about stories changes.

A new era of storytelling.

That said, it’s not really about our ability to tell better stories. What makes VR and AR fascinating from a brand perspective are the types of new stories we can tell that were never possible without this technology.

For instance, at the TED conference I mentioned earlier, Microsoft and NASA did a demonstration where they took all the high-definition images they had of Mars, and reconstructed them in 3D, so that scientists and astronauts could literally visit Mars with HoloLens to experience the topography. And the participants didn’t even have to be in the same room; they literally Skyped them in to the experience. With these technologies, you don’t have to be physically present, having a conversation or a discussion; it’s a form of communication we could never have before. Just think about all the implications and all the layers we could do for brands and businesses from a communications standpoint.

For instance, with VR and AR, in an instant you can transport your customers to an entirely different part of the world; you can take users to the “impossible” place, building stories that bring people to Mars that are 100% impossible for them to visit (unless Elon Musk can figure out how to get us back on his SpaceX).

There’s also the “1-mile” story, allowing you to walk a mile in someone else’s shoes. A great example of this is The New York Times Google Cardboard viewer that enabled users to experience what it was like to visit a Syrian refugee camp. As a father of young kids, I tried it, and it’s truly heartbreaking.

VR and AR gives people superpowers, allowing them to “see through things and makes them incredibly strong.” There’s also 3D art, where everything is a kind of sculpture, allowing you to paint underneath and to the side of objects.

VR and AR are also good for training and presentations, especially relevant for someone like me who does a lot of events and conferences. You can put on VR glasses and have a “full audience” in front of you, allowing you to practice and gauge how interested or disinterested they are in your content. You can train people for public speaking in a virtual environment, where it feels like there’s an actual audience.

VR and AR allow us to communicate stories to people in amazing new ways. I’m inspired to share a quote from Steven Tweedie of Business Insider: “It’s a powerful thing, the ability to seemingly leave your body behind and climb into a game world or film where you find yourself experiencing a new form of storytelling.”

We’re now seeing brands and storytellers, like The New York Times, with their VR shows and VR lab, advance the boundaries of narrative. And like I’ve said previously, the history of marketing and communications has always been about storytelling.

So, we need to ask ourselves: how are we going to communicate the story and tell it? When you know that with VR and AR you have the technology to tell stories in incredible new ways, how will you use it to reach your customers and build your brand?

Get ready, because it’s going to be a great ride.

 

This article was originally posted on the Mirum blog.

Mitch Joel is President of Mirum – a global digital marketing agency operating in close to 20 countries. His first book, Six Pixels of Separation, named after his successful blog and podcast, is a business and marketing bestseller. His second book, CTRL ALT Delete, was named one of the best business books of 2013 by Amazon. Learn more at: www.mitchjoel.com.

Sasol New Signatures: An Adventure in 360°

Text: Paul De Chalain

Sasol New Signatures is an annual art competition that provides a platform for emerging artists to enter into the professional art world by applying their skills and expressing their creative talent.

Each year Sasol selects 100 artworks to exhibit at their exhibition at the Pretoria Arts Museum. Of these 100 pieces, Sasol then selects 6 finalists and 1 overall winner. This year, we decided to put a spin on the usual art exhibition by giving people from across the globe a chance to view it by taking a 360° virtual tour.

THE 360° IDEA AND ITS CHALLENGES

The idea for a 360° experience came about after an infusion of brainstorming and coffee; lots of it. It began with a simple human truth: People experience FOMO when they can’t attend events that really appeal to them. Whether because of timing or distance, some people just can’t attend, no matter how much they truly want to.

The question that arose out of this was, “How can we create an online experience that could afford those who couldn’t attend the exhibition a unique opportunity to experience it as if they were really there?” The answer came to us in the form of a 360° experience that could be viewed from anywhere in the world.

The biggest challenge we faced in turning this idea into a reality was finding the right supplier.  With the help of our Ops team, we managed to source a Google Accredited Street View photographer from Location360° by the name of Theo; and boy, did he work his magic!

Theo produced the immersive Sasol New Signatures Virtual Tour using cutting-edge technology powered by Google Street View. He put together over 4000 raw images to produce over 100 panoramic points to create a tour that would provide the user with an interactive and engaging virtual experience of the gallery.

HOW IT WORKED

To boost views on the 360° Virtual Tour, we complemented the campaign with YouTube, GDN, Twitter, and Facebook media assets. We added another creative layer by using the media assets to provide users with a taster of what to expect when taking the virtual tour. Below is a snapshot of the content we created for Twitter:

Sasol New Signatures

We also seeded the 360° Virtual Tour to Google Street View. This meant that whenever people used Google Maps to navigate to the Pretoria Arts Museum they would have the option of taking the tour.

Experience the 360 Virtual Tour for yourself here.

🚀 WORTHWHILE LINKS: Late Final

HELLO!

Quite an array of things to share this month.

It’s been real… 🙏🏽

@thescott


Let’s talk about hardware…

I’ve now read, heard (and used) a quote by photographer Chase Jarvis. “The best camera is the one that’s with you.” more than a handful of times since the announcement of the iPhone 7’s new line of camera features. In fact, there have a few announcements from a number of tech/culture/media giants over the past couple weeks that deserve a closer look as they’re quite possibly signals to a new wave of interestingness in terms of how we as everyday consumers will be creating and sharing media.

In no particular order:

  • Snap Inc’s (Formerly SnapChat) Spectacles with integrated camera.
  • Apples’ iPhone 7 and its amazing new camera
  • GoPro’s first foray into the drone market

Firstly, let’s talk Snapchat / Snap Inc and their new Spectacles:
via Techcrunch – The hopes and headaches of Snapchat’s glasses:

Snapchat is renaming its corporate self to Snap Inc, and launching its $130 Spectacles this fall in limited release. They’ll be one-size-fits all in black, teal, or coral colors. Spectacles let you tap the glasses’ rim to instantly record 10 seconds of video, three taps to record a maximum of 30 seconds, with a light on the front alerting people you’re recording.

The video is captured with an 115-degree wide view lens in a circular format that can be watched full-screen on a phone in any orientation. The video is stored on the device and can be wirelessly offloaded to a phone over Wifi or Bluetooth so users can edit and share via Snapchat later. Spectacles’ battery should last a day, and you can get up to four full recharges from the portable charging case.

Next up, Apple’s iPhone 7 Plus, specifically the camera. While Apple’s PR and marketing machine will have you believe you can put your fancy DSLR’s on Gumtree, the reviews so far have been a little less enthusiastic. Most of them summarising, however, that we’re getting close to that point. Digital photography that can rely on powerful chips and algorithms (like the one in the 7) is going to drive a new level of capability into the space, “democratising” access to tools that were previously out of reach for the everyday Joe.

And finally, GoPro’s Karma drone..

This piece of gadgetry is a big statement from a brand that’s been falling a little behind relative to the photographic and portability advances from the likes of both iPhone as well as cheaper competitor options. I thought that perhaps a compact 360 degree camera would be next but perhaps this drone sets up the platform for an even better 360 degree video opportunity – aerial 360. Who knows.. all I know is that I’d love one.

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An important and well articulated 4 part series about the Blurred Lines Between Digital and Out of Home Location-Marketing from Posterscope’s VP of Strategy..

Consumers have changed the way they consume media and this will only continue. Advertisers are demanding and expecting more from their advertising dollars. Exciting technological advancements mean that we need to rethink the traditional boundaries and perceptions of ‘OOH’.

Part 1, Part 2, (parts 3 and 4 still to be written I assume)

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Chatbot Check
Chatbots are the new “big data” – awesome buzzword, but not a lot of understanding around what the concept ACTUALLY means. Here are a few chabots I’ve seen lately that might spark off some thinking about what your brand’s chatbot could be doing for your customers..

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6 UX Design Trends To Follow In 2016 Yes, it’s pretty much October already but a quick check-in to see how you’re plotting against the predictions is probably a good idea. The list in short:

  1. Anticipatory Design
  2. Designing User-Driven Stories
  3. Hero Images Replacing Banners and Carousels
  4. Creating Persuasive Designs
  5. Proactively Designing For Future Devices
  6. Incorporating Design Animations For Better UX

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The best US election ad I’ve seen so far:

 

 

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